Over 150 Artists and Arts Administrators Turn out to Testify at the City Council Ways and Means Budget Hearing as City Council Cites “Limited Power”

“Persona” Crafts a Lineage of Performed Identity

To Float like Butterflies: Masha Keryan and Lavaughan Jenkins Recast the Boxer for a Contemporary Moment

Ready, Set, Go: Ten Spring Exhibitions Opening or Closing within Six Weeks

ArtWonk: Budgets, Brouhahas, and Beowolff

Mayor Wu’s Cut to FY 2027 Arts Budget Reveals Broader History of Underinvestment in the Arts and Leaves Programs in Limbo

A Requiem in Light: Ming Smith’s Early Vision

Gathering Memory, Mapping Diaspora: In Conversation with Kelly Taylor Mitchell

Jennie Jieun Lee Transforms Community-Sourced Kilns into Sculptural Installations

ArtWonk: Amid a Week of Whiplash, Wu Aims to Slash Arts Budget

Dispute Over Mural of Iryna Zarutska Erupts in Providence as Ties to Right-Wing Funding Surface

At the Armenian Museum of America, Arshile Gorky’s Work Returns to Watertown for the First Time Since 1924

“Who Belongs Here?” Guerrilla Protest Projection Critiques MFA Layoffs

“Islands” at Gallery VERY Pairs Landscape and Labor

Deconstructing 250 Years of Revolution at the Boston Public Library

Michelle Lopez Holds the Line Between Control and Collapse

ArtWonk: Building a Bigger Tent for the Arts Ecosystem

Wagner Foundation Announces 2026 Wagner Arts Fellows

Boston’s New Chief of Arts and Culture, Joseph Zeal-Henry, on His Vision for Cultural Policy in City Governance

“Embellish Me” Expands the Narrative of the Pattern and Decoration Movement